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Alien Skin Software’s Exposure X3 Overview and News on Exposure X4

One of my photographs inside Exposure X3 after I applied a mask and lightened the rocks and road in the foreground. Photo © Andrew Darlow

There is definitely no shortage of image processing software on the market today (especially software that can convert RAW camera files in ways similar to Adobe Camera Raw and Adobe Photoshop Lightroom). It’s amazing how many companies are working to make the process faster and/or more feature-rich, which is great for anyone who works with photography or other artwork.

In this article, I’m going to highlight Alien Skin Software’s Exposure X3, a non-destructive RAW editor and organizer. I will include some videos that I found very helpful as I navigated the interface and worked on some of my images. I will also list some of the software’s features that really stood out in my mind. At the end of the article, I will talk a little about the next version of the software, which will be called Exposure X4.

Exposure X3 First Impressions

If you are a longtime Lightroom user like me, I think you will feel comfortable with many aspects of the user interface inside of Exposure X3. The software can be run in standalone mode, as a Plug-in inside of Photoshop, or as an external editor in Lightroom or a number of other applications. I chose to run it in standalone mode (by launching the application from my Applications folder), and it was up and running in just a few minutes. One of the things that took time for me to get my head around was that there is no catalog needed to use the editor, but it acts very similarly to Lightroom, which requires a catalog. This means that you don’t have to import images; you just navigate to them and start working.

I recommend just dragging and dropping a folder that has images into the main editing window, and it will appear under the Folders panel. Because of this, I highly recommend not dragging in any files directly from your desktop. Instead, place them in a folder first, since the application will be adding the files it needs to a new folder inside the folder that is holding your RAWs, JPGs, PSDs, etc.

Video Tutorials

Below is an excellent overview of Exposure X3 by photographer and host of the Candid Frame, Ibarionex Perello. I’ve always enjoyed Ibarionex’ interview style, and his vast knowledge of various editing tools makes this video a very useful resource.

Below is a very good 6 minute overview of how to edit using Exposure X3:

I also really liked this portrait-based tutorial of Exposure X3:

And for many more video training tutorials from Alien Skin Software, visit this page.

Standout Features

The main reason why I’m writing this article is because I was very impressed by many of the features that are inside the application. Here are just a few of them:

• Layers (Yes, layers!) This is at the top of the list because it allows layering similar to Photoshop, but nondestructively using a RAW file, meaning that you don’t have to create an 8- or 16-bit PSD or TIFF file to work in the application. This is a big deal because a 30 megapixel RAW file created by a modern DSLR or Mirrorless camera (to make the math easy), will become a 90MB TIFF in 8-bit and a 180MB TIFF file in 16 bit if you export it to work in another application. The Layers feature allow you to try different effects on different layers and use masking to adjust parts of an image. The main things you can’t do is have two different images on two separate layers. However, because RAW files can generally handle big exposure moves, you can place the same image on two layers, make adjustments to areas like skies or foregrounds on the top layer, and then mask out a section so that you get the best parts of each layer (or you can add the layer, then create a mask, then make the edits, as I did in the example I describe below. You can also add lighting effects to a layer, including radial or linear gradients. That makes turning the effect on or off just a simple button click.

Exposure X3’s Layer Panel with my original image layer (bottom), a masked layer, and then a number of Presets shown separately in Layers (note that they are currently red, which means they are not activated).

• Color Filters Under the Color panel is the Color Filter tool. It’s a quick way to add toning just as if you were placing a translucent filter over your image. And when used on a layer, it’s particularly powerful. And I really like the tool tips that come up warning you, for example, that the mask needs to be inverted on a layer to see the effects of the color filter.

• Customizable Panels This one blew my mind! Imagine being able to set up your workspace much like you can do in Photoshop with its windows and panels. And with a simple click, a line will go through the name of the panel and it will be hidden from view.

• Overlays Exposure X3 has an Overlays panel that offers many creative options. The main sections are Border, Light Effect and Texture. I would think that in addition to photographers, designers (especially book cover artists) would love using these effects for a wide range of different uses. For my needs, I’m drawn to the border effects. I’ve purchased other software for hundreds of dollars just to be able to create different borders, and they were much more difficult to use. In Exposure X3. you just choose an image (I recommend creating a new layer for it), and start experimenting from scratch, right in the Overlays panel, or by using Presets that incorporate the Overlays.

This 18 second slide show shows how my image started out (I chose a version in which the sky was well-exposed, so the rocks and road were too dark). I then created a new layer and a layer mask (the mask is shown in red). I then brightened the rock and road using the tools in the Basic panel. After that, I had fun creating the images you see above. They were extremely easy to make using Exposure X3’s built-in Presets.

• Presets, Presets and more Presets! Did I mention that there are a lot of Presets that come pre-loaded with Exposure X3? They are absolutely fantastic, and greatly increase the value of the software in my opinion. Many Presets emulate the look of black and white and color film types, and I got lost in them for quite a while. I should also note that in addition to exposure, color, etc., Presets can be saved with Exposure X3’s incredible Overlays (see above for more about Overlays). This is heaven for any designer or photographer who loves the look of distressed images like those that have scratches, or the look of platinum-palladium prints that have been created by hand coating papers or other substrates. Once you find a look that you like, you can tweak it and then save it as a Preset.

Another nice touch re: Presets is that each preset’s effect can be tested on a full screen image just by hovering over it. When you want to apply one or more presets to an image, I recommend clicking on the brush icon (located just above the Layers panel) and checking the box under Preset called “on a new layer” so that you can keep adding presets to your layer stack (see screen shot above under “Layers”. That allows you to have multiple Presets on multiple layers. You can turn them on and off, and you can dial the opacity of any of them to reduce the effect. This is similar to having multiple Virtual Copies, but without having to keep track of multiple images inside of the application. I should note that you also have the option of making Virtual Copies if you like.

There is another excellent way to see multiple presets applied to the same image and placed side-by-side (a maximum of 6 different presets can be shown in this way). It’s called Audition mode, and of course, there’s a video tutorial for it (see below) :

• IR Panel This is another fantastic option inside Exposure X3. IR stands for Infrared, and the tool emulates the glow that you often see when using infrared films. It’s ideal for both black and white and color portraits, or for any other photograph or drawing to which you’d like to add a “dream-like” feeling.

 • Export Profiles  A very nice “added touch” that the developers included in Exposure X3 is a collection of Export Presets for a wide variety of social media and popular photo portfolio sites like Zenfolio and SmugMug. These can be very helpful and save a lot of time and disk space when you need to export your work out to a folder before uploading to one of those services since the resolution and JPEG compression is already set for you (though you can edit the settings and save a new Preset).

Exposure X3 Pricing and 30 Day Free Trial

Alien Skin Exposure X3 is available in two configurations:

• Exposure X3 (US $149), and the

Exposure X3 Bundle (US $199), which includes Exposure X3, Snap Art, and Blow Up. Blow Up is an incredible application that can enlarge your images quite a bit while retaining good detail and minimal or no visible artifacts. No software that upsizes your images is perfect, but if you give it a good quality image to start with, there’s a very good chance you will be impressed by the results once you dial in your settings. Snap Art is an application that focuses on transforming photos or other artwork in many different ways. For example, you can make a photo look like an oil painting, watercolor, etc. It normally sells for US $99 by itself. For more on Snap Art, visit this page.

If you’d like to try out Alien Skin Exposure X3 for free for 30 days, visit this page.

Exposure X4 Information and Upgrade 

Alien Skin Software recently announced that a new version of Exposure named Exposure 4 will be coming soon. The company also announced that it will be sending free copies of Exposure X4 to anyone who purchased Exposure X3 (or the Exposure X3 Bundle) on or after July 1, 2018. If you purchased any version of Exposure before July 1, your current license code qualifies you for an upgrade price of $99.

Here is a list of new and/or updated features that are slated for Exposure X4 (Source: Alien Skin Software’s Blog)

  • Improvements to Exposure’s RAW processing system.
  • Perspective and keystone correction to minimize or eliminate optical distortion.
  • Enhanced light effects that you can move and rotate freely anywhere in your image.
  • Smart collections that automatically populate based on photo criteria that you choose.
  • Faster file exporting and launch times.
  • Lightroom migration tool that brings your Lightroom organizational metadata over into Exposure.
  • Monitored folders that support tethered shooting workflows.
  • New printing presets.
  • Support for new cameras and lenses.
  • Expanded workflow options for image copying and exporting.

Conclusion 

Overall, I am extremely impressed by Alien Skin Software’s Exposure X3 application and look forward to what’s coming in Exposure X4. I can definitely see people using this application as a replacement for other RAW editors and organizers. Will I be giving up Lightroom? No (at least not for now). I currently still prefer to use Lightroom for the vast majority of my culling, editing, keywording and printing, especially since I’ve been using it for over five years, and my main catalog has over 400,000 images. But I will definitely turn to Exposure X3 when I want to edit images using the application’s powerful Layers panel, or when I want to explore the application’s incredible Preset and Overlay options. I can see a lot of Lightroom users doing the same.

If you’d like to try out Alien Skin Exposure X3 for free for 30 days, visit this page.

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(Full Disclosure: Apart from being provided a license code for the Exposure X3 Bundle, I was not compensated in any way for writing this article. I plan to purchase Exposure X4 when it is released, and look forward to sharing my experiences with it. Please note that this article contains affiliate links to the Alien Skin software site, which means that I may be compensated if a purchase is made, but pricing will be the same as if you had navigated directly to Alien Skin Software’s site. If you would prefer not to use my links, just visit your favorite search engine and type in: “Alien Skin Software Exposure X3”

Andrew Darlow
 

Hello! For over 25 years I have consulted and taught on the topics of digital photography, workflow, image backup, printing and color management for individuals and corporations. I served as Editorial Director of Digital Imaging Techniques magazine for two years, where I wrote and edited numerous articles and reviews on the topics of digital and fine-art photography, inkjet printing, and Photoshop techniques. I've also conducted seminars across the United States at photo-related conferences including the Arles Photo Festival (Arles, France) and the PhotoPlus Expo (New York City), and have lectured and/or taught at institutions including Columbia University and the International Center of Photography (ICP) in New York City. My photography has been exhibited in numerous group and solo shows, and my work has been included in many photography publications. I'm the editor and founder of The Imaging Buffet Digital Magazine (https://imagingbuffet.com) and I publish a Photo Tips Newsletter, which includes tips and techniques related to fine-art printing and digital imaging. I've written four books (all related to photography), and my Amazon Author page can be found here:

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