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Lightroom 2.2 Update Released

I just received this announcement about Lightroom 2.2 being released. One of the best features I noticed is that Adobe Camera Profiles are now provided in the application, eliminating the need to install them manually. Below are excerpts from the announcement:

Adobe has released an update to its Photoshop Lightroom software, available immediately as a free upgrade for existing Lightroom 2 users. Lightroom 2.2 adds raw support for seven new camera models including the Canon EOS 5D Mark II and Canon PowerShot G10. The update also includes several refinements such as enhanced performance of the local adjustment tools.

In addition, Adobe’s Camera Profiles are now available natively within Lightroom 2.2 and are provided automatically as part of this release. As the visual starting point for the raw processing workflow, camera profiles provide flexibility that allows photographers to quickly achieve their desired rendering.

Lightroom 2.2 supports the following additional camera models: Canon EOS 5D Mark II, Canon PowerShot G10, Panasonic DMC-G1, Panasonic DMC-FX150, Panasonic DMC-FZ28, Panasonic DMC-LX3 and Leica D-LUX 4.

Adobe Photoshop Lightroom 2.2 is available now as a free download for
existing Lightroom 2 customers here.

For more information on Photoshop Lightroom 2 or to purchase the
software on Adobe’s website, visit https://www.adobe.com/products/photoshoplightroom/.

Related Links

• Adobe Photoshop Lightroom 2 30 Day Free Tryout
• Lightroom 2 Learning Center on photoshopuser.com
• Lightroom 2 Photowalk with Scott Kelby
• Audio interview of Tom Hogarty, Lightroom Product Manager by Scott Bourne of TWiPPhoto.com
• Lightroom-News.com
• PhotoshopNews.com
• Adobe Photoshop Lightroom Adventure: Tasmania. This post about the new Clarity slider by Mikkel Aaland is very interesting.
• Many free tutorials on PhotoshopCafe.com
• Excellent Lightroom video tutorial for converting to B&W by Martin Evening.
• Photoshop CS3 Launch site on PhotoshopCafe.com
• Many great Lightroom and Photoshop CS3/CS4 video tutorials at Lynda.com (paid subscription, but many segments of their turorials can be viewed for free to get a sample of the content).

Sponsored Links:

•Check pricing on Photoshop Lightroom 2 and Lightroom 2 Books on Amazon.com
•Shop for Adobe Photoshop Lightroom at Adobe.com

•Free Shipping on all Adobe orders over 600 Euros

•Free Shipping on all Adobe orders over 300 GBP

Coupon code for PhotoshopCafe.com (10% off any order):
Enter the word: cafeimaging in the coupon code box at Checkout.

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Quick Review: Rangefinder October 2008 Issue

I just received the Rangefinder October 2008 issue, which is published by Rangefinder Publishing. It is the Fine Art Issue, and weighs in at 250 pages. It is truly spectacular, and that’s why I’m taking time to mention it. As a former Editorial Director of a photo-related magazine (Digital Imaging, and later renamed Digital Imaging Techniques), I know how much work goes into to putting together a magazine (and Rangefinder is much bigger than the one that I worked on).

rangefinderoct2008.jpgHere are a few reasons why I think the issue is so impressive:

• The art portfolios, well-written articles and advice from many photographers, including Eric Meola, Lois Greenfeld, Michael Eastman, Mary McGrath, Andy Katz and others are truly stunning;
• The layout and design of the issue (as usual) is fantastic.
• The imagery and tips from “My Lessons from the Lemon Grove” by Deanna Urs are excellent;
• The new Promo Guide, with special offers on a wide range of products and services is well thought-out and organized;
• John Rettie’s overviews of the Canon EOS 5D Mark II, Adobe CS4 and onOne Software’s Focal Point are very informative.

I was also very happy to see that many of the articles are available as downloadable PDFs on this page of the Rangefinder website.

It’s also great that the printed magazine is free to qualified photographic professionals. You can find the page to submit your information for a free print subscription here.

Over the last year, I’ve contributed some of my images and tips to a few Rangefinder and AfterCapture articles. They are available below for download.

Related Links:

• Rangefinder’s sister publication primarily dedicated to more technical digital photo topics: AfterCapture magazine. AfterCapture’s archives can be found here, and like Rangefinder’s print subscription, the print version of AfterCapture is also available free to qualified photographic professionals. You can find the subscription page here.

• Feature article in the July 2008 Rangefinder Magazine: Andrew Darlow: Serving Up a Buffet of Imaging and Output Tips (downloadable PDF)

ac_feb.jpg
• February 2008 article in AfterCapture Magazine to which I contributed images and printing tips: MarketingMojo: Your Future is an Open Book (downloadable PDF)

Epson Print Academy Launches New 15 City Tour

Over the last few years I’ve attended two Epson Print Academy live events in New York City, and I’ve also reviewed the Epson Online Experience, which was an online training series that featured many of the videos that were produced for the live Epson Print Academy events. After both of the Print Academy events I attended, I came away with a lot of information that helped me make better photos, files and prints. You can read an overview of my experience at The Epson Print Academy in 2006 here.

The newest Epson Print Academy has just been announced, with a 15-city tour that begins on Nov. 8 in Atlanta, GA and continues through May 2009 with stops throughout North America.

After seeing many framed prints output on the new Epson Stylus Pro 7900 and 9900 on Epson Premium Semi-gloss Photo Paper at a recent press event, I think that attendees will be very impressed by the prints that they see at the Print Academy, as well as the knowledge that they gain there.

The people teaching truly know printmaking and file preparation, and the companies who will have tables at the event also add to the value of the program. For example, just seeing SoLux bulbs in use at the event and asking questions about different beam spreads, intensity and color temperature can help anyone better light their work in a gallery, a studio or at home.

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