New Canon Video Contest on Vimeo.com: The Story Behind The Still

I recently learned about a new and very innovative video contest sponsored by Canon and hosted by the video sharing site, Vimeo. After seeing the impressive opening video here on Vimeo.com, my interest was further piqued. It’s called: “The Story Beyond The Still Contest,” and it allows photographers and videographers to “showcase their creativity in a new style of filmmaking that blends still and video images into a continuous cinematic piece begun by Canon Explorer of Light Vincent Laforet.” I would recommend anyone watching to turn up their speakers, because like most video programs (a perfect example is the show LOST), the audio really makes a difference in the impact of the overall story. And the video quality (especially in the dark scenes) is truly spectacular. I will also say, without giving anything away, that I would never do what one of the actors did in the first segment, but it is a fictional story so it didn’t really bother me.

Here’s how it works (the following text is directly from the press materials): Participants are invited to use the HD video capability of their camera to create short, two to four minute videos that tell a story based on the final still frame from Laforet’s piece, and then from each successive winning “chapter.”  Videos can be submitted to and viewed on a dedicated site within the Vimeo online community before they are judged.

The “Story Beyond the Still” contest provides filmmakers with a unique opportunity to showcase their storytelling abilities in a new style of filmmaking utilizing an HD-capable camera to capture moving images while also demonstrating the social appeal of collaborative storytelling.  To kick off the contest, Laforet collaborated with Grey New York to bring his interpretation of a still image to life in a short film entitled “The Cabbie,” which serves as the first installment of a seven chapter collaborative work in which each participant will be asked to interpret the previous winning photographer/filmmaker’s final still image to start their vision for the subsequent chapter.

In “The Cabbie,” Laforet’s interpretation begins on a still image depicting a teddy bear left on the sidewalk outside of an airport before telling the “Story Beyond The Still” that gives the viewer more to appreciate beyond the original moment the image was captured. Viewable exclusively on Vimeo at https://vimeo.com/groups/beyondthestill/, Laforet shot in stunning 1080p HD image quality utilizing Canon’s new EOS 7D Digital SLR camera.

“The concept behind the ‘Story Beyond The Still’ Contest was to find a way to involve people in the new realm of HD DSLR video,” said Laforet.  “Working with Canon, Vimeo and Grey NY to bring the contest to light, there is tremendous anticipation to see how the story unfolds in this wonderful social experiment in filmmaking.”

Six winners will be chosen (one for each chapter) based on their submissions and will join Laforet on location to collaboratively film the final chapter of the film, In addition, winners will receive a choice of prizes including Canon EOS 7D and 5D Mark II DSLR cameras or select Canon lenses.

For complete rules and to submit “The Story Beyond the Still” videos participants can visit https://vimeo.com/groups/beyondthestill/.  Projects will be judged based on how well participants execute the four criteria including:

1.         Best incorporation of initial still and quality and evocative nature of final still
2.         Cinematography
3.         Storytelling

Each chapter winner will be selected by a three-step judging/voting process including the initial selection of 50 semi-finalists by a three member panel comprised of Vimeo, Grey NY and/or Canon U.S.A employees.  Five (5) finalists will be determined by representatives from Vimeo, Grey NY and/or Canon U.S.A., and a distinguished panel of award-winning photographers and cinematographers (subject to scheduling availability) including:

Vincent Laforet – Director / Canon Explorer of Light Photographer
Russell Carpenter – Cinematographer “Titanic”, and “True Lies”
Rodney Charters – Cinematographer/Director of Photography FOX Network’s “24”
Shane Hurlbutt – Cinematographer “Terminator: Salvation”, and “We Are Marshall”
Stu Maschwitz – Filmmaker/Author of The DV Rebel’s Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap
Rick McCallum – Producer “Star Wars: The Phantom Menace”, “Star Wars: Attack of the Clones” and     “Star Wars: Revenge of the Sith”
Philip Bloom – Director / Director of Photography – Co-owner F-Stop Academy
Blake Whitman – Director of Community and Product – Vimeo
Nick Childs – Director/ Director of Content – Grey New York.

Following the selection of the five chapter finalists, their videos will be posted at https://vimeo.com/groups/beyondthestill/ where members of Vimeo will have five days to view the videos and vote to determine the chapter winner.

Below is a copy of the schedule for the contest from the rules page:

Photographer Colin Finlay to Host Live Free Discussion 2/4/2010

I recently received information about this event slated for Thursday 2/4/2010 on a LinkedIn Group. I’ve met Colin Finlay on a few occasions over the years, and I interviewed him for an ImagingBuffet.com podcast, which you can find here. I find his documentary work to be outstanding, both in its subject matter as well as its technical and artistic merit. His commercial/advertising work is equally impressive.

Finlay is one of Western Digital’s Creative Masters, and he’ll be hosting a free live discussion for Western Digital’s LinkedIn Storage Group on Thursday, February 4th from 10:00 am to 12 noon PST (1:00pm to 3:00pm EST) .

The following text is from the event announcement:
For more than 17 years, Colin Finlay has documented the human condition with compassion, empathy and dignity.  He is a six-time winner of the Pictures of the Year International honors for his coverage of war and conflict, disappearing traditions, the environment in both its glory and its devastation, genocide, famine, religious pilgrimage and global cultures.  In pursuit of his passion, he has circled the globe twenty-seven times in search of that one photo that will be a testament to the depth of human will and compassion.

During the live discussion on LinkedIn, Finlay will discuss his career as a documentary photographer, and answer questions from participants.  Finlay is scheduled to leave for Haiti on a humanitarian effort with the International Medical Corps as a photojournalist in mid-February.  This trip will mark the sixth time he has visited Haiti since 1991 where he witnessed political upheaval, a mumps epidemic killing scores of children, and now the devastation from the recent earthquake.

Photo © Colin Finlay 2010  Photo caption: There was a tiny hamlet, maybe six hours outside Port au Prince, filled with the ghosts of small children.  The whole area, not just the village, had been isolated by the Cedras regime, and now three-quarters of the town’s children had died in a mumps epidemic.  Their parents had voted for Aristide in the previous election, and those votes — officially registered in Port au Prince — had cost them dearly under the current military dictatorship.  Add the U.S. embargo, and the people were virtually cut off from the capitol.

The village leader had lost three children of his own; two in one day, and a third he had carried on his back all the way down a long, treacherous road to a health clinic that had been closed.  The military, weeks before, had cleared out all medicine and equipment and taken it back to Port au Prince — more punishment for their Aristide vote.  He made the long trek back to his village — with child on his back — where she later died.

Now his son — his last child — was sick.  This portrait shows this child clutching the hand of his father.  My eyes locked with the village leader for quite some time and knew what he said was very important.  I asked my interpreter what he said and his response was, “please tell the world we are the ones who are suffering.”

To join in on the live discussion scheduled for Feb 4th, visit WD’s LinkedIn Storage Group.

While you are there, I also recommend checking out the past live discussion with Sports Illustrated staff photographer Peter Read Miller. He offers a lot of excellent advice, such as techniques for helping sports celebrities and other subjects to relax when shooting an SI cover or other assignment.

Recent Tips and Art Resources Column (plus archives) on RedDogJournal.com

I recently wrote another column at RedDogJournal.com that I thought might be of interest. I generally write a column for their site every other week. In it I often offer printing tips and techniques, and other areas I highlight include: photo-related events; learning resources; exhibitions; talks and photo contests. For example, a tip from my most recent column is titled: Quick Printing Tip: How to Place Images Perfectly Every Time.

The most recent column can be found here:
https://reddogjournal.com/darlow-27.php

Also, by changing the number above from 27 to a lower number (1 to 26) like this:
https://reddogjournal.com/darlow-26.php you can find all 27 of the columns I’ve written over the last year and a half.

And if you’d like to receive the newsletter portion related to fine-art photography (those news items are not available at this time online-only through the newsletter), you can sign up here for free (I highly recommend it):
https://reddogjournal.com/join.php