1

Some News: Upcoming Workshops and Recently Published Articles

Hi folks! It’s been a while since my last post, and that’s partly due to the fact that I’ve been using my Facebook page as a way to share links to articles, contests, gallery shows and other items I find interesting. Even if you don’t have a Facebook profile, you can see the most recent highlighted stories and links directly to them on ImagingBuffet.com and one of my other sites, PhotoPetTips.com (look for the blue box in the right column of the site).

I’ve also been writing for some other sites, including Photo.net and Pixiq.com. But I haven’t forgotten about you. Look for some reviews and other articles soon, right here on The Imaging Buffet. And with Valentine’s Day in the recent past, I thought I’d share one of my photos: an adorable Boston Terrier named Cupid, who graced the pages of Studio Photography Magazine (February issue of course) a few years back.

Below are some highlighted articles from the recent past, as well as some upcoming workshops that I’ll be conducting in the tri-state area of New York, New Jersey and Pennsylvania.

Recent Articles

I just wrote an article for Photo.net entitled: Factors to Consider when Choosing a Photo-Quality Inkjet Printer. To read the article, visit this page.

A few months back, I had a pet photography article published on Phoozl.com (and if you haven’t played any of the Phoozl photo games, I highly recommend them). To read the article, visit this page.

I recently wrote an article for Pixiq.com entitled: The 13-inch-wide Epson Stylus Photo R3000 Announced: Overview and Comments. To read the article, visit this page.

and to see all my articles on Pixiq.com, including one that describes changes to the Photoshop CS5 Print Dialog Box, visit this page.

I was also quite honored to be one of four photographers and a commercial printer interviewed for a recent (PDN) Photo District News Article by Dan Havlik entitled Living Large: Photographers use the latest large-format inkjet printers and materials to print big for maximum impact. You can find it in the March, 2011 issue of PDN (pages 29-34). For an overview of the March issue, visit this page.

Upcoming Printing Workshops in NJ, NY and PA

I’m happy to announce that I’ll be trekking across the tri-state region in the upcoming months with workshops in New Jersey, New York City and Philadelphia. Below are some quick links to four upcoming workshops (and there are more to come)

1. I’m teaching a full-day color management/fine-art inkjet printing workshop on Saturday March 19, 2011 in Philadelphia, PA at Calumet Photographic. I expect to use an Epson Stylus Pro 3880 (17-inch-wide) and/or a Canon PIXMA Pro 9500 Mark II (13 inch wide) for attendee prints and for explaining a step-by-step Photoshop workflow. For more information, visit this page.

2. I’ll be teaching a very similar workshop with similar printers at Calumet New York City on April 23, 2011. For more information, visit this page.

3. And to round out my tri-state tour for now, I’ll be doing a two-day weekend workshop in Northern New Jersey at Peters Vallery Craft Center May 21-22, 2011. I expect to use an Epson Stylus Pro 3880 for this workshop. For more information, visit this page.

I’m also available for private instruction in your home, studio, via phone, or via remote desktop (with your permission, I can take over your screen and mouse-actually we can both use the mouse). All ImagingBuffet.com readers who mention that they saw the offer here can take 20% off any of my private consulting services if reserved by 3/1/2011. For more information, visit this page.

If you have any questions, please feel free to ask me directly here:
 https://imagingbuffet.com/contact-us/

All the best!

-Andrew

3

A Meeting with Vimeo.com: “Couch Mode” and More

About a month ago at the 2010 PhotoPlusExpo in New York City, I had a chance to sit down with a representative from Vimeo.com, a video hosting site that I’ve been familiar with for a few years. If you’re not familiar with Vimeo, here is a short blurb from the company’s press materials:

“Leading video sharing site Vimeo provides the easiest way for people to host and share their videos in high quality…Launched in 2004 and headquartered in New York, NY, Vimeo offers users a video sharing experience that is both entertaining and easy to use. Vimeo is a 2010 & 2009 Time Magazine Top 50 Website.”

Back in February, I wrote this article about The Story Behind the Still–a user-generated HD video contest sponsored by Canon and hosted by Vimeo. It is truly mind-blowing to see the quality of many of the videos, including the story lines, acting, direction, artistry, sound quality, editing and overall impact of the videos. I highly recommend taking a look at the videos and contest details here.

And for some “backstory” from Vincent Laforet, who worked with Canon and Gray Advertising to create the contest, visit this page-a post about the contest before it began, and this page-Laforet speaks about how he and the seven Chapter winners will work together to create the final chapter of the story.

Below are a few other videos on Vimeo I recommend checking out (I’ve embedded one below as well):
https://www.vimeo.com/13557939
https://www.vimeo.com/17439665

[vimeo width=”450″ height=”320″]https://www.vimeo.com/17439665[/vimeo] The Vimeo Vibe

When I started browsing Vimeo videos, I read many of the comments by other content creators and viewers, and noticed a vibrant community that was very supportive and overwhelmingly positive. I would liken it to something akin to a university film class discussion, with a lot of sharing of technical information and gear. That’s what generally sets it apart from other sites like YouTube. Though it depends on the quality of the source material, I’m almost always impressed by the video quality, even when the HD option is not checked. However, HD is usually a better choice for large or full screen video viewing.

The Community Forums on the site are also a great resource for content creators.

Hands-on Couch Surfing

Vimeo.com’s Couch Mode menu when the info box is selected.

Recently, Vimeo launched a new feature on its site called Couch Mode. It works with Google TV and the GTV remote, and an iPad app is in the works. The interface can also be activated from a browser. Couch Mode just requires a browser that supports HTML5 (the latest version of Apple Safari and Google Chrome both support HTML5). Couch Mode creates an environment similar to most people’s TV experience because the videos run full screen, and continuously, one after another, without user intervention. To experience couch mode on a computer, visit: https://www.vimeo.com/couchmode

The Couch Mode experience is fantastic. I especially like the info box view shown in the screen shot above because you can browse other media while a video is playing. The volume of content, however, is pretty limited (featured and  unless you create your own collection of “Liked” videos, which requires a free “Basic” account or paid Vimeo Plus account. Once you have an account, you can navigate Vimeo.com, tag something as a video you like or as a video to watch later. Then when you enter Couch Mode, all of the videos are waiting for you. It’s a bit like navigating the iTunes directory for podcasts and content, without the need to download anything. A few additions to the user interface in Couch Mode, such as a search bar, selectable list of topics, etc. could largely eliminate the need to go into Vimeo.com’s general interface. I guess there is a balance though in making it easy to navigate from the couch with a bowl of popcorn on your lap :).

Vimeo Basic vs. Vimeo Plus

Without going into too much detail, there are two subscription options: Vimeo Basic and Vimeo Plus. Vimeo  Basic is free and Vimeo Plus is fee-based (about US $60/yr). You can compare the plans here: https://vimeo.com/plus

And the Awards Go To…

Also, on October 9, 2010, Vimeo announced the winners of its 2010 Vimeo Awards in New York City. Below are the winners of the contest’s nine categories. Just enter any of the titles below on Vimeo.com to view the videos:

1. Narrative: “Thrush” by Gabriel Bisset-Smith
2. Documentary: “Last Minutes with ODEN” by Phos Pictures
3. Music Video: “Liars ‘Scissor’” by Andy Bruntel
4. Animation: “Between Bears” by Eran Hilleli
5. Original Series: “Break-ups The Series” by Ted Tremper
6. Experimental: “oops” by Chris Beckman
7. Motion Graphics: “TRIANGLE” by Onur Senturk
8. Captured: “Fluid Sculpture” by Charlie Bucket
9. Remix: “BREAKDOWN the video” by Kasumi

The Vimeo Award for Best Video went to “Last Minutes with ODEN” by Eliot Rausch, which chronicles the last minutes of a dog, Oden, who loses his struggle with cancer. The film was shot using a Canon 7D by Directors of Photography Luke Korver and Matt Taylor. Vimeo awarded them with a grant of $25,000 and the Best Video Award, with for the purpose of making a new, original work.

For more information about Vimeo, visit Vimeo.com.

37

Hands-on Review: Epson Stylus Pro 3880 Inkjet Printer

The advancements made over the last 10-15 years in photo-quality inkjet printing are nothing short of incredible. Some of the features that have made their way into a number of inkjet printers on the market are as follows: compatibility with a wide variety of paper and canvas materials; expected print permanence before noticeable change surpassing 100 years; improved inksets capable of outputting very wide color gamuts; and pricing in line with consumer electronics like TV’s and digital cameras.

The Epson Stylus Pro 3880 with its output tray and high-capacity paper feed open. Photo courtesy Epson America, Inc.

The Epson Stylus Pro 3880 is a 17-inch-wide inkjet printer that was first announced in late 2009. It is a prime example of a printer that embodies all the advancements listed above–and many more. I could start by listing all the specs for the printer, but instead, I prefer to provide specs as they arise during my review. Also look for a few tips within the Pros and Cons (they are indicated by the word Tip). The magic of the internet allows me to provide a link to an excellent overview with full printer specs on Epson.com’s Website, which you can find here. The printer shares many of the features of its predecessor, the Epson Stylus Pro 3800, which I’ve owned and used for about the last two years. The primary differences between the 3800 and 3880 are as follows:

• The Stylus Pro 3880 has two new Magenta pigment inks (Vivid Magenta and Vivid Light Magenta), which help provide an extended color gamut (more printable colors).

• Unlike the 3800, the Stylus Pro 3880 uses a new AccuPhotoâ„¢ HD2 Screening Technology, designed to produce smoother color gradations, better shadow and highlight detail and better color constancy (prints should not change as much when viewed under different types of light). HD2 Screening Technology also allows for a single ICC profile to be used per media type regardless of resolution (1440, 2880, etc.).

• Unlike the 3800, the Stylus Pro 3880 has an ink-repelling coating on its print heads, which is designed to decrease maintenance, reduce clogging and increase overall reliability.

Over the years, I’ve written a lot of product reviews, and I’ve read many more than I’ve written. I generally get the best information from reviews that contain well-researched “Pros and Cons” sections. Thus, I’ve decided to write this article primarily highlighting the Pros and Cons of the Epson Stylus Pro 3880 based on about three months of testing, and after printing and looking at hundreds of prints on glossy, semi-gloss and matte papers. I tested the printer using the standard Epson Mac OSX driver on OS 10.6 on an Intel Mac, as well as the standard Epson Windows driver on Windows Vista.

The Epson Stylus Pro 3880 with its output tray and high-capacity paper feed closed. Photo courtesy Epson America, Inc.

The Pros:

• Printer arrived well-packed and protected, with very clear and easy-to-follow setup documentation. I was making my first print in about 30 minutes from the time I placed it on a table and plugged it in. And it did not need any special trucking service, thanks to its compact form factor and the fact that it weighs just 43.2 pounds.

• Very well-priced for the feature set. See the information at the end of this review for more about pricing and possible rebates.

• Outstanding image quality and color gamut when used with just about any pigment ink-compatible media.

A few interesting gamut plots can be found on this page of Luminous-landscape.com that show the differences in color gamut between the 3800 and 3880 (as well as a comparison between the Epson 3880 and the Epson Stylus Pro 7900). The paper used to measure the gamut (or the paper profile used) is not listed, but I would guess it is a glossy or semi-gloss paper.

• Excellent water and humidity resistance on most compatible media. This is important for long-term display and general handling.
• Very good expected permanence for color and black and white (approx. 100-300 years).See this page on Wilhelm-Research.com for much more information on this topic.

• Fast printing speeds, even at some of the higher quality settings.The HS (high speed modes) can cut print times in half with little effect on the overall print quality. However, images with very fine details or fine lines can often benefit if HS is left off (unchecked). High Speed essentially means the print head travels and lays down ink in both directions as a page travels through the printer (instead of just one direction).

On that note, the following chart and information that follows is from Epson’s website, and my tests resulted in similar speed findings. Very large files will sometimes take a few minutes to process and spool before printing, and the numbers below do not account for file processing. What I found quite amazing is that you can print a very high quality 16×20 print on 17×22-inch paper on the 3880 in just over 5 minutes. That being said, I could detect a slight improvement in overall detail, smoothness and density when using 2880 dpi HS compared with 1440 dpi on most papers, (especially semi-gloss and glossy papers). Also note that the Windows driver (at least the one I am testing with a Windows Vista machine, uses a 1-5 scale, with 1=180 dpi 2=360 dpi, 3=720 dpi, 4=1440 dpi, and 5=2880 dpi. Checking microweave (Windows) or Finest Detail (Mac) will slow the printing process even more, and I have not seen much difference between having it on or off compared with the printing quality without the HS checked.

• 17-inch-wide maximum media printing width in a great form factor. The ability to print on 17-inch-wide media really helps set the 3880 apart, since most printers in the $1000 range and below can only output on paper or other substrates up to 13 inches wide. In addition, the printer’s weight, at just 43 pounds, makes it very manageable for many individuals to move it from room to room in a home or studio, or from a home to the back seat of a car, as I’ve been doing with minimal effort over the last three months. This is a big deal.

• Uses individual 80ml ink cartridges that are easy to install and remove. 80ml ink cartridges were a major reason for the success of the Stylus Pro 3800 (most desktop printers use ink cartridges containing just a fraction of that amount), and like the 3800, the 3880 ships with 9 full ink cartridges. Though difficult to estimate exactly because of many variables, most users who print a range of images that use a wide range of colors should be able to print 500-1000 8×10-inch prints before the first set of inks are depleted. Some inks colors may last far past the 1000 print mark before needing to be replaced.

• Contains a very well-designed high capacity paper feeder for making multiple prints unattended. Many pro-level printers cannot accept multiple sheets. high-capacity paper feeder handles up to 120 sheets of plain, letter-sized paper or up to 20 sheets of photographic media.

• Excellent-quality free output (printer) profiles come installed with the Mac and Windows driver. The printer profiles supplied by Epson keep getting better, and even though I commonly make custom profiles for specific printer and paper combinations, most people should have no complaints using the built-in paper profiles.

•There is minimal head clogging compared with some previous models. For those who have used Epson printers in the past (especially models introduced more than five years ago), clogging of print heads from time to time was common, especially in dry environments, or in situations in which the printer was rarely used. Over three months in a range of temperatures and humidity levels, I experienced little-to-no clogging with the Stylus Pro 3880. I do occasionally hear the printer internally doing maintenance, but it does not appear to waste a lot of ink.

• 3 black inks for outstanding black and white and color printing on matte and glossy papers (see below for a related Pro).

• Easy-to-use Advanced Black-and-White Mode (built into the driver). The Advanced Black and White mode in conjunction with Epson’s three black inks makes black and white printing very straightforward. One of the major benefits is that you can choose a specific toning color from the Advanced section of the driver. You can then print multiple images with the same overall tonality, even if they are still in color.

• USB 2 and Ethernet connectivity.

• 9 ink cartridges instead of 10-12. Many people need to keep a full set of replacement cartridges nearby, and using fewer ink colors compared with other printers on the market can reduce the overall inventory cost of storing extra cartridges.

• Optional RIPs are available that extend the maximum print length of 37.4 inches. Many of these products can be found at the end of this article.

• Internal switch occurs between Matte and Photo Black instead of the manual switch needed with the Epson Stylus Pro 4800/ 4880. This is a major advance when compared with the 17-inch-wide Epson Stylus Pro 4800 and Stylus Pro 4880 printers. Also note the first Con below, because this topic deserves both a Pro and a Con.

The Cons:

• Matte Black and Photo Black heads are not always “active,” like on some other printer models. Even though the Matte Black and Photo Black cartridges are always loaded in the printer, an internal ink changeover takes 2.5 to 3.5 minutes and wastes a small amount of ink (approximately 4.6 ml from Matte to Photo Black and approximately 1.6 ml from Photo to Matte Black, according to Epson).

• Maximum print length is 37.4 inches unless a third party RIP (or Epson’s $300 Graphic Arts option) is used. See links at the bottom of this article for RIPs that allow you to exceed the 37.4-inch limit. My source of the information regarding the 37.4-inch limit is the “Epson 3800 FAQs”-see the links section below for a link to that very helpful and informative site. Much of the information there still applies to the 3880.

• No roll feed. I personally don’t miss this very much, but for some (especially those who print on canvas), this is an important feature.

•It is relatively easily to switch inks by mistake from Photo to Matte Black or vice-versa because no confirmation by the user is necessary to switch inks.
The way a switch is made from one Black ink to another (unless the Plain Paper Media Type setting is used-see below for more about that) is by selecting a matte or gloss paper from the Media Type list in the Epson driver. If you use a RIP (see the list at the end of the article), this may be different.

Items that have both Pros and Cons:

In addition to the high capacity paper feeder, there is a well-designed rear single-sheet feeder and a very sturdy straight-through front paper feed for very thick materials, such as illustration boards. However,

the rear single-sheet feeder can be finicky when paper is loaded, and

the front feed can accept only 16-inch-wide media. Though it generally works well, it is difficult to achieve 100% feed success with heavier papers using the rear single-sheet feeder. TIP: In my tests, the vast majority of papers up to about 300gsm (sometimes even 320gsm) feed fine through the main bulk paper feed. The key to avoiding using the rear feeder is to choose a Media Type that does not require the rear feed, such as Ultra Premium Presentation Paper Matte, then adjust the Platen width manually under Advanced Media Control in the driver (circled in red, below). I usually enter 6, 7 or 8 in the Paper Thickness box for 280gsm, 300gsm and 320 gsm papers, but this will vary a bit depending on paper thickness. Then save your settings next to the Presets section (circled in blue, below) so that you can recall the setting for your printer and paper any time without having to re-enter the media type, quality settings, etc.

The printer is
solidly built, but the front door of the printer is a bit on the light side, so care should be taken when opening or closing the front output tray. Tip: After dropping down the front door to extend the output tray, stand directly in front of the printer, hold the tray with both hands and pull the tray straight out (not up) to open it fully. When you are done, hold the bottom section with both hands and push straight ahead with both hands firmly on the front door to close the extension tray.

There is currently only one way to select 180dpi or 360dpi Draft Quality using the standard driver while Photo Black is loaded, and no 720dpi option is available. This is a very helpful option that has a few advantages. Epson has included a way to make super-fast prints, such as when you want to do a placement test (for example, when making custom books that have hinges), or when good (but not great) print quality is not necessary. Tip: The way to do this when Photo Black is loaded is to choose Plain Paper as the Media Type (see screen shot below), then select Photo Black ink. You normally cannot adjust this, but Epson has made it possible to choose either Matte Black or Photo Black when using Plain Paper, probably with the thought that some people will want to print office documents or PDFs on plain paper even if the Photo Black is loaded. The drawback is that you can’t choose 720dpi under any of the glossy or semi-gloss paper choices when the Photo Black ink is loaded when using the Epson driver. In the future, I hope that Epson will include a 360 and 720dpi option for at least one glossy or semi-gloss media type when the Photo Black is loaded.

It is possible, when Matte Black is loaded, to choose 180, 360 or 720dpi depending upon the matte paper type chosen. This feature allowed me to recently print a few hundred bookmarks at 720 dpi in about 1/3 the time it would have taken to print at 1440 dpi. I used the “Ultra Premium Presentation Paper Matte” Media Type. In some cases, you can work around this issue with either Photo or Matte Black ink loaded by using one of the RIP solutions listed at the end of this article. That being said, the Epson driver comes free with the printer, and it’s easy to navigate once you spend some time with it.

Conclusion and Recommendations

I highly recommend the Epson Stylus Pro 3880. It’s an outstanding printer, with a feature-set and price tag that no other company has been able to match to date. It’s a workhorse, and performed without a hitch while testing it at my home studio, and during a few photo workshops that I conducted over the spring and summer. That being said, I don’t think it’s the right printer for those who want to make just a few 8×10-inch prints every month–other printers with smaller ink cartridges are better suited for that. The printer should be used on a semi-consistent basis so that the ink doesn’t sit in the printer unused for many months. Though I haven’t scientifically tested this theory, I believe that the 3880 is ideal for anyone who prints at least an average of 2-3 11×14-inch prints or 4-6 8×10-inch prints per week.

Pricing and Availability

As of 9/24/2010, the street price for the Stylus Pro 3880 was about $800 for the Standard Edition and $1,100 for the Graphic Arts Edition after a $300 rebate. This is a considerable savings over the original street price just a year ago. The new 17-inch-wide Epson Stylus Pro 4880 was recently introduced, but it does not replace the Stylus Pro 3880, and the street price is yet to be determined (retail price starts at $1,995). If you’d like to check current pricing on the Epson 3880 and help support our site, please consider using one of the links below. We have an affiliate relationship with all of the companies below, and all are Epson Authorized Professional Imaging Resellers. A $300 mail-in rebate applies to purchases of the Stylus Pro 3880 from 8/1/2010-10/31/2010 (download the rebate form here for details).

Check pricing and availability on Adorama.com
Check pricing and availability at B&H

More Info and Links

Epson.com
Epson 3800: Printer FAQ (maintained by Eric Chan): An excellent reference for owners of the Epson Stylus Pro 3800 (much of the info can be
applied to the 3880). There you can also find more links to related products and reviews.

Printer RIPs and workflow software that allow you to exceed the 37.4-inch printing length restriction in the standard driver:
ColorBurst RIP– $495 for the ColorBurst X-Proof RIP, which allows users to make custom profiles inside the system. Comes with a PANTONE licensed PostScript Language Level 3 compatible RIP.
Epson Professional RIP (by ColorBurst)– About $300 when purchased as a bundle in the Epson Graphic Arts Edition (custom paper profiling is not permitted, but the company supplies excellent profiles for a wide range of papers, and this is a good solution for those who need to print proofs from PDFs). Like the ColorBurst X-Proof RIP, this option also comes with a PANTONE licensed PostScript Language Level 3 compatible RIP.
ImagePrint RIP – About $900
Qimage (not exactly a RIP, but it shares some features of RIPs)